Hatam Soferet

I summarised my attitude towards women writing Torahs by saying that the full citizen, the adult male in good standing, may participate in the transmission of the community’s symbolic centre, and the adjunct classes of women, children, and slaves, may not; today, it is a matter of principle that women not be an adjunct class and therefore may participate on the same basis as men.

This is not how the language of halakha expresses itself, naturally. Halakhically, the issue is framed in terms of the mitzvah of tefillin – those who are Biblically-commanded and socially-accepted as tefillin-wearers may write the sacred scrolls; others may not. Women are not Biblically commanded to wear tefillin, therefore they may not write the scrolls.

It seems simplistic to say that in communities where halakhic validity and gender equality are equally indispensable, women do wear tefillin, and that said wearing is held by said communities to be equivalent to men’s. Simplistic, but when an immutable principle meets an overwhelming imperative, on some level the answer is simple. The community says in its actions “this is what we do, this is what we expect of people, this is how it’s going to stay” – and once that sentiment is in the heart of a community, we don’t wrench it out, so the halakha must perforce adjust to accept it.

You can’t run a religion like that, changing the rules of the society every time you sniff hurt feelings. This is a halakhic sledgehammer, and swinging it too freely will destroy the halakhic structure. But societies where gender equality is well-grounded and gaining demonstrate that gender equality does not render a society inherently unstable (on a century of evidence; give it another five centuries and we’ll be better placed to tell), and thus one may say with a fair amount of certainty that applying the halakhic sledgehammer to the principle of gender equality will not render the halakhic structure inherently unstable either.

We’ve got off the topic of proofreading rather, but there again, proofreading is the process that ensures the stability of the Torah text, which itself is symbolically the stability of the Jewish people, so it’s vaguely associated. Anyway, that’s about all I’ve got to say concerning proofreading at the moment.

Of course, people say “um, no actually” to me, being female. It wasn’t the handless guy’s fault he had no hands, it’s not my fault I’m female. He just didn’t have the physical makeup to write a valid Torah and that was too bad; I don’t have the physical makeup to write a valid Torah and that’s too bad also.

Really, I do know a lot of decent people who have to say “um, no actually” to me, and they do act like yesterday’s posited rabbi – feeling really sorry that he’s got to say “um, no actually” to this person who’s put in so much effort and so badly wants to be part of the community and it isn’t their fault they can’t participate through this activity.

So why’s it different? why am I expecting the handless guy and the Braille-writer to suck it up, while I go right ahead and write Torahs?

You could say I’m just a hypocrite, a case of “one rule for us, one rule for them.” Some people do say that. I see where they’re coming from.

Way I see it, women doing men’s things isn’t exactly a physical makeup thing, it’s about how gender affects one’s communal status. Women are barred from Torah writing in the context of societal strata; some classes of people may participate, some may not. In particular, the full citizen, the adult male in good standing, may participate in the transmission of the community’s symbolic centre, and the adjunct classes of women, children, and slaves, may not.

This is perfectly sensible as far as it goes, except that in our days it is a matter of principle that women not be an adjunct class.

Such a statement requires some unpacking. More on that tomorrow.

I also have to deal with a certain amount of, let’s say, cognitive dissonance. In my travels, I’ve given scrolls (usually megillot) I’ve written to various traditional-Orthodox types, and the response is, quite often, “Goodness me, this is very nice, very nice indeed…” until they discover that I wrote it. Then their opinion abruptly changes; suddenly it is not aesthetically pleasing, the writing is not nice, and so forth. This is a) obvious and b) tiresome.

A story by way of example. One of my proofreading go-betweens also sells Torahs, and once I collected a scroll from him – it’d been written in Israel and I was to take it to its new home after sewing on some rollers and other details.

Well, some colleagues and I opened up that scroll and we were horrified. The writing was appalling. By no stretch of the imagination could it have been described as kosher.

So back it went to Mr Go-Between, who insisted that it was completely fine. No problems at all, he said. 100% kosher, he said. He sent it back to us. We sent it back to him. Repeat a couple of times; he was adamant that this scroll was absolutely kosher with no problems at all.

Eventually he was persuaded to examine it in daylight, and he conceded that there were more than one hundred critical errors per column. Completely fine, hm? 100% kosher? No problems at all? Right.

Subsequent investigation revealed that the sofer had taken the commission despite his failing sight. He had written the scroll practically blind, and while that’s quite an achievement, it doesn’t make for a kosher scroll.

But we digress. This was Mr Go-Between insisting that a really dreadful Torah was totally fine. Later, I took him my scroll for scanning, and he insisted that the writing was deeply deeply problematic in assorted ways.

Clearly I’m not unbiased, but at least mine didn’t have a hundred critical errors per column.

I certainly have scope for improvement, but that seemed like some pretty intense cognitive dissonance to me. I just have to bite down and count myself lucky that he’ll deal with me at all. Oh, and watch out for my own biases making me behave similarly in other areas of my life – nasty experience, good lesson, anyway.

The misplaced expectation that a computer can infallibly check a Torah also touches on a deeper concept, that of the experience of writing.

What does it mean to write? is a question that has always been part of the Torah-writing rules. Could you, for instance, embroider the Torah? Is that writing? What about carving letters into plaster-covered monoliths? Embossing them onto metal headbands? What about printing? Jewish communal narrative recognises these processes as producing letters, more or less, but also recognises that this is not how people normally write: you wouldn’t embroider your account book, and if you were embroidering accounts you wouldn’t say you were writing. Experientially, producing letters is not necessarily the same as writing.

By axiom, the Written Torah has to be written, and if it’s going to be a proper written document, it needs to be properly written. It’s got to be produced by someone having the experience of writing, not someone simply having the experience of doing embroidery or whatever.

But for your average North American Jew,* the experience of writing involves a keyboard. It makes absolute intuitive sense that computers would feature in any act of writing, not excluding that of writing a Torah. Computers are how we write things. Handwritten material is positively extraordinary; the skill of penmanship is practically unknown. No-one would expect to see an embroidered book; similarly, people frequently assume Torah scrolls are printed – no-one expects to see a handwritten book. Intuitively, it makes a twisted sort of sense that the Torah should be typed.

Fortunately, we don’t take it that far; even though typing is the more common writing experience these days, pen-and-ink is still, culturally, the more authentic writing experience. Pen-and-ink is associated with real writing in a way that typing is not.**

Indeed, way way back in the days of the first Torahs when literacy was limited to an elite few, a Torah scroll – a written document – probably had an air of mystique about it simply because so few people could write, so few people could conceive of producing one. Nowadays also, a Torah has mystique by virtue of being written, because again so few people can write in this way.

An interesting example of history coming full circle, there. Writing the Torah starts as a skill limited to a small group of people; as literacy spreads but before printing is invented, writing sifrei Torah becomes less remote, such that some authorities even equate sifrei Torah with printed books containing Torah material. Then, once printing is ubiquitous, writing again becomes a rare skill and Torahs are elevated back into the inaccessible.

* By way of example, not by way of exclusion

** Which is one reason I’m not keen on silk-screening Torahs. Halakhically it’s justifiable – ink in the forms of letters is, technically, laid down onto the klaf by hand – but intuitively it isn’t right, because any fool knows that silk-screening isn’t really writing.