Category Archives: Just Cool

during sukkot

During Sukkot, one doesn’t write Torah. So instead, I’ve been making other fun things, and this week’s post is a shameless plug for said things.

Postcards. Inspired by the illuminators of the Middle Ages, this series illustrates each letter of the Hebrew alphabet with awesome borders, yummy patterns, and the most darling little animals. Here’s the full set.

These postcards are 4×6 inches on heavy card stock – they look jolly nice framed, or they do actually work as real postcards, not that anyone really sends postcards these days, but in principle, you know.

I’m coming to CBH next week, so I decided to make a special offer for CBH people. Postcard set $15, which I’ll bring to the synagogue on my visit, provided you order before 11.59pm (Pacific time) on Thursday October 11th.





And here are some of the other things I’ve been up to:

Calligraphy is fun.

Apprentices

It’s been very busy here chez soferet. For the summer, I’ve taken on two apprentices who want to learn Torah repair. This means that in addition to keeping up with CBH’s Torah, I’ve been finding Torahs to fix, and then steering the apprentices through fixing them.

Here’s a photo of us working on location in Queens, from the other day.

Lady scribes working on Torahs

We’ve also been proofreading a scroll written by another student of mine. We have this nifty generational effect going; I taught Julie, and now I’m teaching the Apprentices how to do proofreading, using Julie’s scroll. It’s like a cute little scribe family.

Tezaveh and scribal exuberance

Exodus 28:36, a verse from this week’s parsha; ועשית ציץ זהב טהור… “Make a tzitz of pure gold…” Go look it up.

In some sifrei Torah, the final tzaddi of the word ציץ is writ large, including in the sefer I’m presently writing:

Here’s another one, from a different sefer (presently in Berlin; my last congregation but one donated the sefer to a community in need when they got their new sefer written by me; isn’t that beautiful?):

Here, note particularly the little fractal zayins on the word זהב.

I’m not writing about why all this, this week. Have a think about it for now. When I come to CBH in a few weeks’ time, we’ll be learning more about these. Look out for the schedule.

Pictures of puppies

Not a good week. Between the pointedly audience-defining “Do not go near a woman” parts of parashat Yitro, and the general “Look how far we haven’t come” morality of parashat Mishpatim, I’m already a bit grouchy, and then various rabbis sexually harrassed and otherwise dehumanised various of my friends, which was really not cool at all.

So we’re having a post about puppies, because puppies make everything much better.

I have a puppy.

Parts of her are tan-coloured like parchment, and parts of her are black and shiny like Torah ink.

She likes to squirm around on the couch.

I think this is probably meant to be an aleph. Everyone’s first aleph is a bit dodgy.
This is a much better aleph.
Unless she meant it as a mem.
It’s not a proper closed mem unless you actually bite your tail, but we’ll let it pass this time ex post facto.
She might have meant it as a samekh, as well, and just forgot to tuck the ear in. These are the small details that make the difference, you see, but if she tucks the ear in next time and gets a good hold on that tail, it’ll be a very nice samekh.
This is a pretty good yud. It even has the kotz of Rabeinu Tam. Well done, pup!
Straight peh – not easy if you’re a dog. A very nice try. The head shouldn’t touch the body, is the thing, so this one’s invalid, but on the plus side, the front paws are very nicely out of the way, and the back paws are beautifully pointed.
I think this is probably intended as nun, although properly speaking nun has three tagin, not two,and it shouldn’t kick up on the end like that.
Now, this is a surprisingly successful gimel. Three tagin, a head extending from each side, a good substantial foot well-joined to the body, and a body that extends a little down past the foot. Okay, it’s bent off to the side, but tails are like that, you can’t make them behave.
This has right-angles on both top and bottom right-hand corners, which makes it technically a beit.
I think she may have intended it as a khaf, though khaf can’t have sharp corners like that. Beginners often suffer with this kind of khaf/beit ambiguity; you need to learn both halakha and calligraphy skills before you’ll get it right reliably.
Unless she meant it as a peh. The curly part should be bigger, though, and the Mishnah Berurah would say she should have a smoother curve on the back.
This would be a pretty nice reish, if she’d tucked that front paw in.
This has a distinct corner on the back, which means it’s dalet, not reish. That bent head on the left brings it perilously close to being a het – she could improve this just by bending her head up a little, nothing drastic.
A brave try at lamed. Lamed’s neck ought to be longer really, but this is a dog, not a giraffe.
I think this is intended as a final nun, but it’s one that’s gone rather wavy. It does have nice crisp edges, and a couple of very assertive tagin.
A very nice Arizal het, only lacking the left-hand point. She seems to have gone for a whole word this time – חי – that yud is rather dicey, not as good as the yud we saw earlier, but it’s very nice spacing, and she can fix the yud by twitching her ear back.

Good dog.

Why there are no vowels in the Torah, part 1

I wanted to do you a post about why there aren’t any vowels or musical notation-marks in a sefer Torah, but when I came to study the subject, I realised it’s a good deal more complicated than can fit into one post. It seemed to require a brief history of vowel-marks, which in turn required a brief history of the alef-bet, which in turn required a brief history of writing in general.

So we’re going to start with a brief history of writing, and then we’ll do the alef-bet, and then we’ll do vowel-marks, and then we’ll be sorted.

Let’s get into it by way of Yosef. This week’s parsha and last week’s, Vayigash and Miketz, tell us about Yosef, employed in a high administrative position tracking and controlling food supplies for an enormous region through fourteen years of plenty and famine.

This kind of activity is how writing was invented, we think. People wanted to keep track of how many things they had (or were owed), so they used tallies, with one-to-one correspondence between the number of marks and the number of things; tally marks have been in use since the Stone Age, a matter of some forty thousand years.

Writing seems to have evolved independently in various areas. We’re ultimately interested in the alef-bet, so we’re going to take that route, but it’s worth remembering that this isn’t the only history of writing out there.

Between 8000 and 4000 BCE people used a token-based kind of abstraction for record-keeping: pebbles or clay tokens representing quantities. One pebble in a jar means one goat in the field; two pebbles in a different jar represents two baskets of grain, and you’d better remember which is which. During these four millennia, the level of abstraction expanded somewhat, such that instead of sixty-three pebbles in a jar meaning sixty-three I-think-it-was-goats-or-is-that-the-grain-jar-damn, you had one sixty-goat token and three one-goat tokens in your jar, and maybe some grain-tokens too, if you had any grain.

Keeping your goat record in a jar leaves you a bit open to your accountant hooking some of your goats, though, so people developed the habit of sealing their tokens in clay containers. Very nice and secure, right?

But a bit tiresome when you want to check up on how many goats you’ve got, that being the whole point of this record-keeping business anyway. Rather than keep on breaking open and resealing the clay containers, around 3500 BCE people started marking the containers while the clay was still wet, using a stylus to carve representations of the contents’ type and quantity.

The next step was to realise that once you have those marks in the clay, the tokens inside the jars are obsolete. The marks are now fully representing real-life objects, without the intermediary stage of tokens; they are no longer mnemonic but pictographic.

Once you’re writing things like “60 goats,” you might also want to convey “Belonging to me” or “When I counted them in the springtime”. Marks come to convey not just objects but ideas and situations.

The next step in the history of writing is using marks to represent sounds. You’ve read the Just So Stories, I take it? If not, go read the one under the link, and then come back.

Say a culture has a symbol 🙂 okay? It starts out representing someone with a smiley face, so when you see it, you think of someone smiling. How do you speak it? 🙂 also stands for the sound which comes out of your mouth when you say “smileyface.” Eventually, we might abbreviate 🙂 to be the sound “sm”.

This is how alphabetic writing systems are born. More about that next week.

Chag urim sameach

I was going to write you a post this week about why there aren’t any vowels in a sefer Torah, but it got all long and complicated and it seems that first we need to do a brief history of the alphabet. So I’m working on that, and in the meantime, here’s a picture of a sheet of Torah reflected in the light of a hanukiah.

The most alert will realise that the fourth night of Hanukah is tomorrow and Shabbat into the bargain. The Soferet doesn’t take photographs of the future, nor on Shabbat, so yes, this is a picture from a previous Torah. Still quite lovely though, and the only difference is that I’m using green oil this year.

Check the progress bar…