All posts by Jen

Vaera and dots

Parashat Vaera contains dots over a couple of words. My plan is to explain more about dots this time next week, but here’s an example to get us started. Genesis 18:9:


וַיֹּאמְרוּ אֵלָיו אַיֵּה שָׂרָה אִשְׁתֶּךָ וַיֹּאמֶר הִנֵּה בָאֹהֶל

They said to him, “Where is your wife Sarah?” And he replied, “There, in the tent.”

The traditional commentators point out that angels are from God, and therefore they know perfectly well that Sarah is in the tent. Why on earth do they ask Avraham where Sarah is?

Because that’s a polite way of starting a conversation, they explain. They ask Avraham how he’s doing, and they ask after his partner.

Now, you can see that three letters of אליו – to him – aleph, yud, and vav – have dots over them. What does that spell? איו, ayo. Ayo is a word that means “where is he?” What’s the very next word? איה, ayeh.

We explain that just as they said “Ayeh” – Where is Sarah? – they also said “Ayo” – Where is Avraham? Just like the angels chatted with Avraham and inquired after his wife, they also chatted with Sarah and inquired after her husband.

This particular part of the Torah is high on action and low on mitzvot. You can read the text just as an interesting story, and that’s nice, but the dots here invite us to consider what mitzvot we can learn even when we’re reading stories. The text stops being just a nice story that you hear during Torah reading, and turns into an extra thread in the weave that binds Torah, Judaism, and human relationships. This neatly illustrates the idea that the Torah contains more than just the plain text.

Writing in the Torah with the Soferet

What’s it like writing a letter with the Soferet?

I like to work with small groups, seven or eight people, for half an hour at a time. Before any writing at all happens, we sit down together for a bit of a chat. We eject any schmoozers or noisemakers, and make the time and space ours.

Part of the point of my visiting communities is to help connect the individuals in the community with the Torah I’m writing for them. Can’t connect without relationship. Talking together is each person’s special connecting time with me and their Torah.

I ask people to share what brings them to write a letter in the Torah. Sometimes people have complex, intense stories. Sometimes they haven’t got words. Regardless, I like hearing it.

People are always nervous about mistakes. They’re carrying the idea that they could be responsible for ruining the Torah project. So I take some time to explain that there’s nothing they can do that we can’t fix, and why that is.

Then there’s time to expand into whatever things the group members want to know about. Sometimes it’s questions about Torah-writing. Sometimes it’s questions about me. Sometimes it’s sharing stories with each other.

When I write with people, I want it to be a special experience. I fold the person’s hand over mine, so that they’ll be able to feel the movements of my fingers as their letter is created.

I also make sure they’re positioned so that they can see their letter being formed. With lefties, that’s sometimes a bit tricky, but we manage. With kiddies, it means fetching a stool or a chair so that they can lean in and see over our joined hands to their letter. It’s sort of surprising how often this happens:

“Can you see?”
“Yes”
“Are you sure?”
“Well, no, I can’t really see.”

But I want people to see! We’re not running a writing factory here, we’re connecting people to the Torah. We allow lots of time specially so that people can have the fullest experience possible. So I make sure they can see what’s happening.*

We take time to say the kavvanah Ani kotev/et leshem kedushat sefer Torah. I divide it up by people-who-use-masculine-grammar and people-who-use-feminine-grammar–started doing that at CBST, where you often can’t tell which the heck people are identifying as–and we repeat it together and take time to focus.

While we’re actually writing, there tends to be a photographer leaping about. I think this detracts from the moment rather, but what you lose in the moment you make up in the long-term; it’s kind of nice to have a memento. I also like to arrange for keepsakes which show, for each person, exactly which letter they did in which part of the Torah and what it means, so that they’ll be able to remember, should they wish. CBH is planning some very nice certificates with all kinds of photos.

CBH partner Robin Frank put it rather well:

I will admit that initially I was not that excited about a new Torah. I thought “OK, a new Torah. Why do we need a new Torah?” But today I understand that this is about the *process*. About *engaging* with the Torah. Literally. But also intellectually and emotionally. On many levels. With each other.

Exactly. So I hope people will sign up for writing slots over the next few visits and be part of the process.

* I’m planning a special approach for the blind or partially-sighted. Stay tuned.

First visit to CBH

Well! That was fun. I spent the weekend–as anyone reading this is probably aware–in Davis, connecting with people as we moved into Torah-writing time.

Lots of this sort of thing:

Teaching and learning with all age groups. More of that on later visits! (If anyone wants to cover anything particular, speak to your Torah committee, okay?)

This, of course:

My favourite bit of the ceremony: realising that if forty-two children shake blank parchment sheets, it sounds kind of like the thunder which accompanied the original Giving of the Torah.

We were writing the first six letters of the Torah, the word Bereshit, In The Beginning. Communities often choose six people to help write the letters; Bet Haverim, unusually, decided to choose representatives from across the spectrum of the community. They also shared a little bit about their stories, and we connected that to the letter they’d chosen to write. This was nice.

Before we started to write the Torah, I wrote the name of Amalek and symbolically crossed it out. I think most people didn’t get to see that up close, so here’s a picture:

After the ceremony, we spent the afternoon writing letters with individuals. I’m planning another post about just what that involves. In the meantime, a picture:

Images in this post, except the Amalek one, are from the album at CBH’s Facebook page. Check there for copyrights, attributions, etc.